Carmina Burana

Previn's 1975 analogue version,* vividly recorded,* still leads the available recorded performances of Orff's most popular work. It is strong on humour and rhythmic point. The chorus sings vigorously,* the men often using an aptly rough tone,* and if there is at times a lack of absolute precision,* the resilience of Previn's rhythms,* finely sprung,* brings out a strain not just of geniality but of real wit. This is a performance which swaggers along and makes you smile. The recording captures the antiphonal effects impressively,* better even in the orchestra than in the chorus. Among the soloists,* Thomas Allen's contribution is one of the glories of the music making,* and in their lesser roles the soprano and tenor are equally stylish. The digital re-mastering is wholly successful. The choral bite is enhanced,* yet the recording retains its full amplitude. The background hiss has been minimised and is only really apparent in the quieter vocal solos in the latter part of the work. A triumphant success.