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Much Ado About Nothing

William Shakespeare
  • 07/04/2005
  • Pearson Education Limited
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Couverture de Much Ado About Nothing par William Shakespeare

Résumé

Présentation de l'éditeur A dazzling display of William Shakespeare's fondness for wit and wordplay, Much Ado About Nothing is a high-spirited comedy, edited with notes by R.A. Foakes, and an introduction by Janet Dillon. 'Some, Cupid kills with arrows, some, with traps' Proud, vivacious Beatrice and a high-spirited rake Benedick both claim that they are determined never to marry. But when good-hearted mischief-maker Don Pedro tricks them into believing that each harbours secret feelings for the other, Beatrice and Benedick begin to question whether their witty banter and sharp-tongued repartee conceals something deeper. Schemes abound, misunderstandings proliferate and matches are eventually made in this sparkling and irresistible comedy, famously adapted by Kenneth Branagh in a film starring Keanu Reeves and Emma Thompson. This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Much Ado About Nothing, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.William Shakespeare (1564-1616) was born to John Shakespeare and Mary Arden some time in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), many of which are regarded as the most exceptional works of drama ever produced, including Romeo and Juliet (1595), Henry V (1599), Hamlet (1601), Othello (1604), King Lear (1606) and Macbeth (1606), as well as a collection of 154 sonnets, which number among the most profound and influential love-poetry in English. If you enjoyed Much Ado About Nothing, you might like As You Like It, also available in Penguin Shakespeare. 'How is it possible that Shakespeare understood the human heart so well?'Saskia Reeves Biographie de l'auteur William Shakespeare was an English poet and playwright of the 16th and 17 centuries, now widely regarded as the greatest writer in the English language and the word's pre-eminent dramatist.Janette Dillon is Professor of Drama at the University of Nottingham. She has published widely on Shakespeare and Renaissance drama.Stanley Wells is Emeritus Professor of the University of Birmingham and Chairman of the Shakespeare Birthplace Trust.

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