Présentation de l'éditeur
Set in the 1920s,
The Glimpses of the Moon details the romantic misadventures of Nick Lansing and Susy Branch, a couple with the right connections but not much in the way of funds. They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas. As Susy explains, "We should really, in a way, help more than hamper each other. We both know the ropes so well; what one of us didn't see the other might -- in the way of opportunities, I mean." The other part of the plan states that if either one of them meets someone who can advance them socially, they're each free to dissolve the marriage. How their plan unfolds is a comedy of eros that will charm all fans of Wharton's work.
Extrait
Chapter 1
It rose for them -- their honey-moon -- over the waters of a lake so famed as the scene of romantic raptures that they were rather proud of not having been afraid to choose it as the setting of their own.
"It required a total lack of humour, or as great a gift for it as ours, to risk the experiment," Susy Lansing opined, as they hung over the inevitable marble balustrade and watched their tutelary orb roll its magic carpet across the waters to their feet.
"Yes -- or the loan of Strefford's villa," her husband emended, glancing upward through the branches at a long low patch of paleness to which the moonlight was beginning to give the form of a white house-front.
"Oh, come -- when we'd five to choose from. At least if you count the Chicago flat."
"So we had -- you wonder!" He laid his hand on hers, and his touch renewed the sense of marvelling exultation which the deliberate survey of their adventure always roused in her....It was characteristic that she merely added, in her steady laughing tone: "Or, not counting the flat -- for I hate to brag -- just consider the others: Violet Melrose's place at Versailles, your aunt's villa at Monte Carlo --
and a moor!"
She was conscious of throwing in the moor tentatively, and yet with a somewhat exaggerated emphasis, as if to make sure that he shouldn't accuse her of slurring it over. But he seemed to have no desire to do so. "Poor old Fred!" he merely remarked; and she breathed out carelessly: "Oh, well --"
His hand still lay on hers, and for a long interval, while they stood silent in the enveloping loveliness of the night, she was aware only of the warm current running from palm to palm, as the moonlight below them drew its line of magic from shore to shore.
Nick Lansing spoke at last. "Versailles in May would have been impossible: all our Paris crowd would have run us down within twenty-four hours. And Monte Carlo is ruled out because it's exactly the kind of place everybody expected us to go. So -- with all respect to you -- it wasn't much of a mental strain to decide on Como."
His wife instantly challenged this belittling of her capacity. "It took a good deal of argument to convince you that we could face the ridicule of Como!"
"Well, I should have preferred something in a lower key; at least I thought I should till we got here. Now I see that this place is idiotic unless one is perfectly happy; and that then it's -- as good as any other."
She sighed out a blissful assent. "And I must say that Streffy has done things to a turn. Even the cigars --
who do you suppose gave him those cigars?" She added thoughtfully: "You'll miss them when we have to go."
"Oh, I say, don't let's talk to-night about going. Aren't we outside of time and space...? Smell that guinea-a-bottle stuff over there: what is it? Stephanotis?"
"Y-yes....I suppose so. Or gardenias....Oh, the fire-flies! Look...there, against that splash of moonlight on the water. Apples of silver in a net-work of gold...."They leaned together, one flesh from shoulder to finger-tips, their eyes held by the snared glitter of the ripples.
"I could bear," Lansing remarked, "even a nightingale at this moment...."
A faint gurgle s
