Présentation de l'éditeur
Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma. Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.
Revue de presse
'Human Acts is an important novel, moving and heartbreaking in its dignity' -- Eileen Battersby, the Irish Times
'In simple, lyrical and visceral prose... Han presents a vivid account of both the power of collective spirit... and the capacity of brutal regimes to crush it to nothing' -- Luke Davies, the Literary Review
'Human Acts is a stunning piece of work. The language is poetic, immediate, and brutal. Han Kang has again proved herself to be a deft artist of storytelling and imagery' --Jess Richards
'A rare and astonishing book, sensitively translated by Deborah Smith, Human Acts enrages, impassions and most importantly, gives voices back to those who were silenced' -- Claire Hazelton, the Observer
'[About] the extremes of human behaviour, from selfless sacrifice to unbelievable wickedness' -- Kate Saunders, The Times
'With exquisitely controlled eloquence, this novel chronicles the tragedy of ordinariness violated' -- New Statesman
'A brave and profoundly affecting book... It is structurally ambitious and highly original in its use of narrative voice and its chronology' -- Robert Hawkins, the London Magazine
'A grim but heartfelt performance, touching on the possibility of forgiveness and the survival of the spirit' -- Sunday Times
'As subtle and specific as it is universally heartbreaking' --Arifa Akbar, Independent
'Neither inviting nor shying away from modern-day parallels, Han neatly unpacks the social and political catalysts behind the massacre and maps its lengthy, toxic fallout. [It] is remarkable... how she accomplishes this while still making it a novel of blood and bone. Han prepares us for one of the most important questions of our times: 'What is humanity? What do we have to do to keep humanity as one thing and not another?' She never answers, but this acts of unflinching witness seems as good a place to start as any' -- Eimear McBride, the Guardian
'A sobering meditation on what it means to be human' -- Francesca Wade, Financial Times
'By its very existence, Human Acts is an important and necessary book, but without Han Kang's astonishing penmanship, I doubt it would have been so devastating and vital a work of literature' -- Lucy Scholes, National
'A conversation of which we rarely hear both sides: the living talking to the dead, and the dead speaking back' -- Jonathan McAloon, Sunday Telegraph
'Reading Human Acts, I sometimes felt as though I were listening to a story someone had been waiting years to tell; at others, that I was eavesdropping on someone's deepest thoughts to which I should not be privy. The act of remembering is never easy for the characters in this work, but it is also something they cannot stop doing. Remembering brings back to life the terror these characters experienced, but also always seems hollow for it will never bring back the dead or undo the violence enacted on them. Yet even when characters actively try to refuse to remember, they find those traces of the past welling up within them. A sense of inevitability lingers throughout Human Acts: it is a story that must be told' -- Kalau Almony, Reading in Translation
'Full of pathos, the novel [follows] the guilt-ridden survivors who struggle to achieve normal lives while still facing the threat of torture, censorship and repression... Han's books testifies to a specific atrocity while raising universal questions
